关于但可以改变相处方式,很多人心中都有不少疑问。本文将从专业角度出发,逐一为您解答最核心的问题。
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Because each new generation of writers is in competition with all others, living or dead, for inclusion in the halls of worldly memory, each artist must develop ways of strategically, even unconsciously, “misreading” the work of the precursor. So T.S. Eliot’s poetry becomes a struggle with Alfred Lord Tennyson and, more covertly, Walt Whitman. Whitman himself is always tussling with Ralph Waldo Emerson and the poetry of the King James Bible. William Wordsworth has to fend off the over-influence of John Milton and Shakespeare to achieve a comparable Romantic success. The young Shakespeare himself engages in a brief agon with his contemporary Christopher Marlowe, before becoming one of the few writers in the Bloomian cosmology to rise out of the field of influence entirely. Shakespeare, according to Bloom’s appraisal, owes nothing to anybody. In fact, all of us now owe most of ourselves to Shakespeare—so much so that any academic or critical attempts to destabilize the Bard’s preeminence only prove how embarrassing the debt has become. As the history of the written word goes on, the burden of influence accumulates, until finally young writers feel such a pang at their own belatedness, they wonder whether they’ll ever be able to add a single thing to their scandalously rich inheritance.
随着但可以改变相处方式领域的不断深化发展,我们有理由相信,未来将涌现出更多创新成果和发展机遇。感谢您的阅读,欢迎持续关注后续报道。